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He came down to the studio to see what was wrong and while he was there, he asked to hear the song. ?/

Data Correct John Prine's longtime guitarist on three essential Prine lines Jason Wilber.

Diana (Ross) said it was in the wrong key, that it was too low.

I went through the Motown artist roster and went all the way to the bottom of the list and there were the Supremes, better known in those days as the “No Hit Supremes.” They were so annoyed that they agreed to do it that, in the studio, they had a really bad attitude. Since the track was already cut, she had to sing it in that key and she’d never sung that low before.

I Have A Mono Pressing MT 621 / H 1315 With An 8 On The Back Bottom Right Corner Of Sleeve And Matrix Numbers That I Don't See Anywhere.

So This Is The Same Or A New Entry???? A transitional album, as this combines some of their earlier minor hits like 'Run, Run, Run' and 'A Breath Taking Guy', alongside their Top 40 breakthrough 'When The Lovelight Starts Shining Through His Eyes' and their trio of groundbreaking chart-toppers: 'Where Did Our Love Go', 'Baby Love' & 'Come See About Me'.

(Of course it was – I wrote it in Gladys’ key.)

It was so funny to see them turn into stars overnight.”A few months later in April of 1965, The Supremes released their German language version of the song, “Baby, Baby, Wo ist Unsere Liebe” for the German market; it was the b-side to their German recording of “Moonlight and Kisses.” ​​Listen & Subscribe to BiB We had the pleasure of interviewing Frank Turner over Zoom video!

We’re happy to share with you today a great gumbo of performances of it, from artists ranging from Ringo Starr to The Manhattan Transfer to The J. Geils Band to Adam Ant to Soft Cell and beyond. We started laughing. Just Trying To Catalogue Correctly.....

His statement, provided here unedited and in context, is not simplistic, ambiguous or vague.

The famous HOLLAND-DOZIER-HOLLAND team are on fire here. The album cuts are all top-notch, culled from various recording sessions, with stand-outs including 'Ask Any Girl' (the B-side to 'Baby Love'), which could easily have been a hit in its own right, and 'I'm Giving You Your Freedom', capturing an unusually earthy vocal from Diana Ross. “Where Did Our Love Go” is one; it was a number one hit as recorded by Diana Ross and The Supremes in 1964. Lamont has written many standards.

From then on, one hit followed another. It doesn’t stop. I’d worked out intricate background vocals but the girls refused to learn them. A classic all the way. But let’s let him tell that story.

He thought it was really good, but said that he didn’t know if it was a hit, but that he thought it would be Top 10.”The song was released and flew up the charts to #1.

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It was the first of 13 consecutive #1s we did on the Supremes.

Any Motown or 60's girl group fan should have this album.

Also we have: I Can't Help Myself (Sugar Pie, Honey Bunch) Lyrics, Baby Love Lyrics, My World Is Empty Without You Lyrics, (Love Is Like A) Heat Wave Lyrics, How Sweet It Is (To Be Loved by You) Lyrics, Reflections Lyrics, Reach Out, I'll Be There Lyrics, This Old Heart of Mine Lyrics, I Hear a Symphony Lyrics, Stop! There's much to savour here and this is a classic album by Motown's finest. Emeah, “Where Did Our Love Go” “Listen to the birds singing! A transitional album, as this combines some of their earlier minor hits like 'Run, Run, Run' and 'A Breath Taking Guy', alongside their Top 40 breakthrough 'When The Lovelight Starts Shining Through His Eyes' and their trio of groundbreaking chart-toppers: 'Where Did Our Love Go', 'Baby Love' & 'Come See About Me'.

Elle donne son titre au deuxième album des Supremes, qui voit le jour en août.

One of the most moving versions is by Stooshe, a great British girl group, who sing it a cappella in perfect three-part harmony, with great soul, capturing the Motown girl group vibe but with a modern, beautifully soulful sheen.And the synth-pop medley of the song with “Tainted Love” by Soft Cell, which was second only to The Clash’s “Rock The Casbah” as everyone’s favorite song for dancing in clubs in the early ’80s, still sounds great, and eminently danceable still.Here’s the story behind this song and this record, as told by Lamont in his own words.I knew I was in deep trouble if I didn’t hurry and get someone to do the song because I wasn’t about to pay for the track.

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