This Thursday, the official opening of the Serpentine Pavilion, by The pavilion, which has already gotten its "cloud" nickname because of its shape and lightness, is generated through a three-dimensional steel grid of about 40 centimetre modules which morphs on each side. It was the first time the public could interact with the structure. It has two inputs and for the first time in the history of the Serpentine Gallery Pavilions, works inside a coffee.Gallery directors commented, “…. Fujimoto describes the house as ‘prototypical place from the time before architecture became architecture’.Fujimoto’s first large-scale institutional building is a 6,500m² facility library in Musashino, Tokyo. Polycarbonate strips fill the spaces between seats to prevent children from falling through the three-dimensional grid, like thin rods to prevent the fall are positioned unobtrusively.For this particular design, Fujimoto has created a series of steel modules attached, 30 x 30 x 30 cm, derived from their original architecture, these same modules form the superstructure of the Pavilion. "For the Serpentine Pavilion 2013, I have created a translucent architecture, a terrain that encourages people to explore the site in new and diverse ways. This Thursday, the official opening of the Serpentine Pavilion, by Sou Fujimoto, took place in Hyde Park, London. Fujimoto ‘s third Japanese architect who accepts the invitation to design a temporary pavilion for the Serpentine Gallery, you antecederieon Toyo Ito (2002) and Kazuyo Sejima & Ryue Nishizawa of SANAA in 2009. It was a trial to create a small, social community house for places of natural disaster. The structure is broken to allow people access as well as to generate different uses around, below and upon it. We’ve been working on the project for three months in total.The basic attitude [to the pavilion] is of course informed by my Japanese background. The house is formed of three layers that nestle inside each other with varying degrees of privacy; the outer shell forms a partly-sheltered garden with large rectilinear openings, open to the elements.This private timber house is formed by stacking 350mm square cedar sections. It was tough, because I didn’t have any experience to draw on, I had to learn by myself. 1/6 Sou Fujimoto's design for the 2013 Serpentine pavilion ... 2/6 Sou Fujimoto's design for the 2013 Serpentine pavilion - the steel latticework structure is planned as a 'transparent and lightweight' addition to the west London art gallery. [However] I’m trying to create something completely different, yet matching closely to the circumstances.Yes, but at the same time it’s exciting. footprint of the structure is 350 square meters and the Pavilion will with two hits. The pavilion, which has already gotten its "cloud" nickname because of its shape and lightness, is generated through a three-dimensional steel grid of about 40 centimetre modules which morphs on each side. Were developed several concepts and designs together with the manufacturer, allowing the development of different details, allowing the structure to be built within the time available.It was necessary to ensure that the seals could mobilize the full capacity of the steel section, as it was essential for the stability of the structure, which was based on Vierendeel action frames and corresponding higher moments joints. It was the first time the public could interact with the structure. The fine, fragile grid creates a strong structural system that can expand to become a large cloud-like shape, combining strict order with softness. There were two months of ‘first ideas’ and design development. However, by continuing to use the site without changing settings, you are agreeing to our use of cookies.
We used a delicate frame to create different territories that are unified as a whole. This fact combined with accidental loads representing unwanted access to the roof, removing some elements and foundation settlement.From the outset it was clear that the detail was vital nodes had to be easy to manufacture, allowing easy construction of larger modules on the site, providing the facilities, connections and have the ability to transfer the total capacity of the section through the joint. Sou Fujimoto hat mit dem Serpentine Pavilion nicht die Architektur neu erfunden. The simplicity of the means that creates the most complex Fujimoto spatial effects through aggregation and disaggregation is absolutely riveting. In Fujimoto’s break-out piece, “Serpentine Pavilion” (London, UK 2013), hard-edged white poles descend onto a London park in a pattern that is simultaneously natural and mechanical. I visited two of them before being invited to design the pavilion: the Jean Nouvel one and the Frank Gehry one.
I hope that people visiting have a different impression each time they come.
Photos of the Serpentine Gallery Pavilion 2013 by Sou Fujimoto More pictures and the architect's statement after the break.You'll now receive updates based on what you follow! We are full of life and the way that buildings are designed should reflect that. After I graduated I worked alone and after six or seven years I got a licence and started my own practice. In areas where visitors are allowed access to the structure, a structure placed locally heavy duty, which is able to withstand the weight of the glass panels and the weight of a crowd gathered in the structure. Architect Sou Fujimoto poses for photographs at his Serpentine Gallery Pavilion on June 4, 2013 in London, England.
It’s a fundamental architecture of experience.
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