The Last Spike: A Painting By Thomas Hill Illustrating The Last Scene In The Building Of The Overland Railroad... [Anonymous] on Amazon.com. The ceremony was originally to be hel… The Wasatch Mountains are five or six miles distant. Beyond are a few wagons such as had at that time found their way into the desert, a wagon-train that had left the Missouri months before, and a race in progress with mustangs, in whose riders the gambling instinct was stronger than matters of national concern.

Two of the sides were engraved with the names of the railroad officers and directors. Thomas Hill s great historical painting, entitled THE LAST SPIKE, and representing the ceremonies observed at the completion of the overland railway. "THE LAST SPIKE" A Painting by Thomas Hill Illustrating the Last Scene in the Building of the Overland Railroad with a History of the Enterprise. Oakland, California, E.S. To unite these qualities in a portrait is a severe test of skill, since there is a likeness known and endeared to many which has to be preserved with all its subtle expression, and yet there must be none of the rigidity of set feature or the stiffness of pre-arranged attitude. The foreground is filled with warm light, lending to the pile of ties, the keg of spikes, the grading implements, and even to the fresh earth, a mellow radiance that raises them above the commonplace, and invests them with a portion of the interest attaching to a scene, in which they had played no unimportant part. Log in to USEUM to download unlimited free images, send e-cards and interact with thousands of famous paintings, drawings and illustrations. There are introduced, however, some well-known characters of the Plains, and a few incidents indicating the contrast between the old life, and the incoming civilization. He must place them in new attitudes, give them greater variety of expression and yet harmonize them all with his central motive. It perpetuates a rigid historical incident, and accurately preserves valuable portraits in rich, diversified, and harmonious colors, with flowing grace of outline, and freedom of individual treatment. The scene is interesting, and the details at the will of the artist, who is helped to ease of expression by the flowing outlines of the amphitheater. None the less must he be a master of color. It contains, perhaps, twelve portraits. The characteristics of the men are as well shown in pose and outline as in feature, making a rare combination of strong faces and manly forms.

That which should be its strength is an element of weakness. Denison, 1888, a 19th century View Book (top). The essential of his work is "quality.” Corot, whose reputation is pre-eminent among French artists, draws badly, scarcely more than suggesting his lines. The painter's difficulties increase as he multiplies his figures. For Thomas Hill, Yosemite Valley and the White Mountains of New Hampshire were his sources of inspiration to begin painting and captured his direct response to nature.He made early trips to the White Mountains with his friend In plein air means to “paint outdoors and directly from the landscape”,Hill’s move to California in 1861 brought him new material for his paintings.

Sacramento, CA: Crocker Art Museum, 1997. *FREE* shipping on qualifying offers. All the difficulties herein indicated Mr. Hill has had to meet, and overcome, and they are such as few artists have encountered. It is full of figures, but has no portraits. The picture is complete. The first is an immense work including many portraits, principally of French generals. Completing the last link in the transcontinental railroad with a spike of gold was the brainchild of David Hewes, a San Francisco financier and contractor.


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