He starts giggling with Ponyo and is heard by some of the elders.

She gladly gave up her magical abilities to do so. While she is struggling, she gets her head caught in a glass jar, but manages to slip through the net's holes. Lisa prepares some ramen for them with ham in it, much to Ponyo's delight. Often in children’s stories, when a girly girl goes along with the dominant cultural idea that she should be pretty, rather than rejecting it, she is punished and ends up a version of ugly as a didactic message. In her middle form, she sprouts orange chicken-like limbs with three flexible digits each, and her face goes wide and frog-like. In the course of a fierce confrontation with Fujimoto, she rejects the name the sorcerer has imposed upon her, “With the help of her sisters, she then manages to flee the paternal prison once more and turns herself into a human by recourse to Fujimoto’s own magic. Ponyo licked his cut, and it immediately healed, due to her having magical powers. She does not appear to hate humans as proof of her relationship with Fujimoto, and by the way she restores power to the ships stranded at sea. After he leaves, and with the help of her sisters, she breaks free, and with the torrent of ocean water pouring in, she accidentally opens the Pangea vault and mixes the well of power with the sea too early, unbalancing the forces of nature and causing an explosion of power to surge through the ocean, turning her mostly human.

One day her son finds a goldfish stuck in a bottle and she allows him to take care of it without much thought. Shortly after she drops Sosuke off, he gets in trouble and Lisa saves him from the water after Ponyo is taken from him by her father and his water spirits. Sosuke and Ponyo walk until they find Lisa's empty car. When they get home later that day, she encourages a sad Sosuke to leave his green pail as a signal for Ponyo to come home.

She sneaks away out into the open ocean and ends up falling asleep inside a jellyfish. For what?The mother is like a human version of the wind that opens the movie. She tries in vain to shake the jar off and eventually collapses from exhaustion close to shore. She is very loving towards them and is seen collecting and kissing them during the end of the movie. Conveniently for the plot, she is somewhat childlike herself, and doesn’t wonder too much about the strange fish girl who her son has befriended and brings home with him to live.The old lady with the side shave didn’t know she was starting a trend, later emulated by Miley Cyrus and Rihanna. He scrambles up to his house, finds a plastic green bucket, and takes Ponyo with him in the car, but not before Ponyo's father tries to get her back. He was the one to discover Ponyo. She would be Lisa's daughter now, and future daughter-in-law after Ponyo became human, after all. ". She traverses a water-filled bridge while the tide is momentarily out and puts her own life and her son’s life at risk. She has black eyes and dark brown/black hair styled into a bob cut, similar to Sosuke's. Sosuke flees once again and goes back down to the beach while his mother comes out looking for him, demanding him to come back and apologize. She wears purple eye shadow and red lipstick, with a paler white highlight filling in her forehead and ending down her nose. If Sōsuke’s love is true, Ponyo will be permanently transformed and the balance of nature will be restored." Ponyo squirts her and she starts thrashing and yelling "Tsunami!" I wonder if Miyazaki is conscious of this  beauty of beauty in the very same story — beauty equals goodness when it comes to female characters, but when little girls aim for beauty, they are punished.This view of Granmamare reminds me of the classic painting of Ophelia. After drinking some honeyed tea that Lisa made, Ponyo uses magic to fix the generator and shows off her flexible toes to Sosuke and Lisa. Since their house is on a high hill, they are the only ones who didn't get submerged.

She narrated part of the movie that talked about Ponyo becoming human forever, and she converses with Lisa all day and night about the weight of what their children are about to endure. Perhaps we should be pleased that this mother is different — she is reckless to the point I would not get in a car with that woman. She has a human-like face. She returns to Sosuke by running on huge waves in the forms of fish alongside his car as he is coming home from school.

She works in the Himawari (sunflower) old-folks’ home caring for the elderly and she cooks nice food for Sousuke. Later in the movie, she greets Fujimoto in his vessel, convincing him to allow their daughter to try to become human and reset the balance of nature. She is still young and energetic, missing her husband and getting angry when he doesn't keep his promises to come home, but she doesn't hold grudges.

Sosuke encourages her this time and she bounces back into a happy mood.

Not much is known about the relationship between the two, but Ponyo appears rather timid while meeting her mother at the end of the film, and claims that although she is a beautiful woman, she can be very frightening. The candle runs out, and Ponyo is unable to make the new one bigger again. Toki, one of the elders, calls Sosuke over and tells him not to trust Fujimoto.


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