A selection of Smith's poetry was produced as a one-woman play by Nobel Prize-winner Derek Walcott and performed at both Boston University Playwrights Theater and the historic Trinidad Theater Workshop. It's through these personas that she's able to explore and uncover the hidden truths and unspoken voices of this world that people often don't want to hear. How dead-on can I get to them until they start to speak to me and tell me where they want the poem to go?" "I take on difficult personas because it's like solving a puzzle. Patricia Smith (born 1955) is an American poet, spoken-word performer, playwright, author, writing teacher, and former journalist.She has published poems in literary magazines and journals including TriQuarterly, Poetry, The Paris Review, Tin House, and in anthologies including American Voices and The Oxford Anthology of African-American Poetry. In minute-by-minute detail, Patricia Smith tracks Hurricane Katrina as it transforms into a full-blown mistress of destruction. She's a master of the "persona poem," a poem written in the first person in which a writer imagines she is an animal, an object, another person—anyone or anything she is not. Her personas aren't isolated people delivering soliloquies, but characters immersed in the conflict of the everyday drama of their lives. He tells the mother the high price that it will cost to restore her son—almost as a warning, that restoring dead flesh isn't where her energies should be placed. For Shoulda Been Jimi Savannah she won the Lenore Marshall Prize, presented by the Academy of American Poets in recognition of "the most outstanding book of poetry" published in America the previous year. a tongue, an ear. The book Blood Dazzler was the basis for a dance/theater production which sold out a week-long series of performances at New York's Harlem Stage. It's easy to focus on the vigor and charisma of Smith's performance skills, but that shouldn't take away from the power of the words on the page. Smith's personas cross racial, historical, and class boundaries, creating a skein of perspectives. [8], She gained notoriety when The Boston Globe asked her to resign after editors discovered her metro column contained fictional characters and fabricated events in violation of journalism practice. Gregory Orr, judge of the 2014 Lenore Marshal Prize, said that her poems “plunge to the soul-depths of the people who inhabit them. But Smith turned the horror into something beautiful, a collection of poems, Blood Dazzler. I find myself having to do a lot of backtracking before I can do a reading. Patricia Smith's roaring poems about Katrina make her a finalist for the National Book Award. "Interview with Patricia Smith.". Currently, Smith is a professor at the College of Staten Island, a core faculty member in the MFA program at Sierra Nevada College, and a resident in VONA and in the Vermont College of Fine Arts Post-Graduate Residency Program.[4]. In minute-by-minute detail, Patricia Smith tracks Hurricane Katrina as it transforms into a full-blown mistress of destruction. [13] The collection also won the Los Angeles Times Book Prize for poetry. She says: "I got introduced to poetry via the stage, where there isn’t a place to crawl behind the language. Even when they're printed on a page, they don't just rest there, waiting to be read, content to reside in a literary journal or book. She lives in Howell, New Jersey. And shake its terrible bounty onto the By: Grant Faulkner I like the vision of students 20–30 years from now holding that book [Blood Dazzler] in their hands and at least having the questions formed, where they would look and say, 'What did this mean to the country?'". Patricia Smith lures the reader into believing that the personified diva Katrina is the enemy, but the enemy is clearly the government who allowed Katrina dominion over the poor and defenseless. Her many accomplishments include a Guggenheim fellowship, acceptance as a Civitellian, a National Endowment for the Arts grant recipient, and two-time winner of the Pushcart Prize. I plump shattered skulls, and paint the skin You can sense in Smith's reading the undertaker's frustration, anger, and disgust at the number of bodies he's had to restore. then carve eyelids from a forearm, an inner thigh, I was birthed restless and elsewhere gut dragging and bulging with ball lightning slush. Consider Smith's poem "The Undertaker," one of a series of poems she wrote for her son, who had been flirting with involvement in gangs, as a way to help him reflect on the consequences of gang violence. In fact, Smith, a former journalist, gets much of her inspiration from news stories. In an interview with Tony Leuzzi (a poet known for his Fib poetry and the poem "The Burning Door”"), Smith talks about how she started writing poetry. Smith has contributed to various notable anthologies including Unsettling America: An Anthology of Contemporary Multicultural Poetry, Aloud: Voices from the Nuyorican Poets Café, Short Fuse: The Global Anthology of New Fusion Poetry, Bum Rush the Page, The Oxford Anthology of African American Poetry and Pushcart Prize XXXII: Best of the Small Presses.
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