We will learn much more about tonal and modal harmony in future lessons. Play So What Tabs using simple video lessons Bass tabs for Miles Davis - So what. Check it out here…. Search. 1:36 Davis follows with a longer phrase: the piano is silent. The structure of So What looks like this: 2x 8 bars D minor, 1x 8 bars of Eb minor and 1x 8 bars of D minor. In response, the pianist plays dense, dissonant chords. © Copyright 2018 - Learn Jazz Standards, LLC, Access monthly jazz standard studies, and courses, 44 Essential Jazz Recordings-Guest Post by Brent Jensen. We look at all the notes that comprise them and figure out an appropriate chord name. Even non-guitarists and non-pianists should experiment with this idea on the piano to help understand this idiomatic harmonic movement even when the chord doesn’t change. Check out the voice leading techniques that Miles uses: The next line has a typical shape that you hear in many of Miles’ improvised solos: Here is a typical bebop lick that comes from Miles Davis’ solo on Move, the first song on Birth of the Cool. In this song the pianist, Bill Evans, plays a particular chord voicing which has become known as the So What Chord. 4:35Coltrane plays a motive, then repeats it in sequence (starting on a different pitch). After logging in you can close it and return to this page. Chords, melody, and music theory analysis of So What by Miles Davis. The So What Chord is a specific type of Quartal Chord (we will discuss Quartal Chords in more detail in an upcoming lesson). Copyright Jazz Guitar Online 2020 © All rights Reserved. The chords drift ambivalently, fitting no particular key area. More modern sounding than "tertial chords" (built from thirds), it is useful in comping; since the structure of quartal harmony is usually vague, many roots may be applied to the So What chord and it may work well in various contexts including, "a major scale context; a Mixolydian mode context; or a minor context". The So What Chord Voicing can be used in a standard ‘tonal’ chord progression (going around a Circle Progression or II-V-I) or a ‘modal’ chord progression (moving in steps). Please log in again. It makes sense that Coltrane would steal the changes for his own tune, having cut his teeth in Miles’ band and performing So what regularly. 0:00The bass ascends, prompting a two-note response from the piano: this prefigures, in slow tempo, the main head (see 0:33). A7:09The pianist plays single-note lines, recalling Davis's lyrical phrases. The So What Chord is a specific type of Quartal Chord (we will discuss Quartal Chords in more detail in an upcoming lesson). Other jazz recordings that make extensive use of the chord include McCoy Tyner's "Peresina" and Gary Burton's "Gentle Wind and Falling Tear." https://en.wikipedia.org/w/index.php?title=So_What_chord&oldid=958811785, Creative Commons Attribution-ShareAlike License, Levine, Mark "The Jazz Piano Book" 1989 Sher Music Co., Petaluma, CA, Mantooth, Frank "Voicings for Jazz Keyboard" 1986 Hal Leonard Publishing Corp., Milwaukee, WI, This page was last edited on 25 May 2020, at 20:44. It has very few chord changes. Tabs Articles Forums Wiki + Publish tab Pro. 3:17At the peak of his last phrase, Davis plays with a bluesy timbre. These three groups are all classic Miles mini-licks that are worth exploring further: This minor lick is from Miles’ solo on Milestones and is built around a Gm7 arpeggio: This simple, but effective lick is also from Milestones and uses the same Gm7 arpeggio. 0:30 The bass rumbles in its lowest register. Miles began playing the trumpet when he was 13 and had his first professional gig when he was 17. Ver 1. The composition itself alternates between D minor and Eb minor. Save my name, email, and website in this browser for the next time I comment. The sophistication is deceptively simple. From the bottom note upwards, it consists of three perfect fourth intervals followed by a major third interval. The term "So What chord" is used extensively in Mark Levine's landmark work The Jazz Piano Book, wherein he describes a range of uses for which the voicing might be employed. Getting picked to play in a Miles Davis band was like putting a dose of steroids in your musical career. The use of the B (#11) to start the second bar, allowing for a half-step resolution of the C in the last beat of the first bar. It is all D Dorian for 16 Bars, then it moved up a semitone to Eb Dorian for 8 bars, then back to D Dorian for another 8 bars... it then repeats that sequence over and over, so it is easy to get lost playing this tune, especially when the bass is walking all over the place... Make sure you check out a few versions of this song. 6:51On his last phrase, Adderley expressively bends a note. From the bottom note upwards, it consists of three perfect fourth intervals followed by a major third interval. A0:34In a steady tempo, the bass plays a repetitive riff. It was employed by Bill Evans in the "'amen' response figure" to the head of the Miles Davis tune "So What".. For example, an "E minor" So What chord is an Em 11 voicing,: The Eb-D movement (b7 to 3rd) that connects the last two bars. i get that there are only D-7 and Eb-7 chords, but i have no idea which sacles i can use for each of them. Thanks to Band in a Box, you can practice guitar with a virtual band, making your practice routines more fun and effective. This jazz standard is the first tune on Miles Davis’ classic record, “Kind of Blue.” It’s the top jazz album of all time as measured by sales. Thank you SO much for your awesome web site and for your clear explanation of the So What chord.
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